In conversation with... Anastacia Sholik

Anastacia, can you tell us a little about your creative journey and how you became an illustrator?

I didn’t start out as an illustrator. Until I was 30, I worked with video in various studios (film, advertising, and motion graphics for TV). However, I realized that every time I worked on animation, I felt strained, whereas creating static work brought me much more joy. So, I decided to go freelance and pursue illustration. To develop my own style and land my first major commission, I spent two years self-studying, creating imaginary tasks and projects for myself to practice.

Your art features beautiful colour palettes and imaginative characters—what inspires you the most when creating new pieces?

I love having bright objects on my desk, especially those with colours or details that I find appealing. Colours and decor have a huge impact on how I perceive the world around me, and they greatly influence my creative process.

 

What materials and techniques do you typically use in your illustration process, and why do you prefer them?

For commercial work, I mainly use digital tools. I like the lasso tool and a digital brush that mimics acrylic paint. However, I truly enjoy painting with acrylics and colored pencils, and when I have the time, I like to experiment with these traditional materials.

How do you approach blending imagination and reality in your artwork to create those whimsical characters?

I try not to base my characters on human anatomy. Instead, I draw inspiration from abstract and geometric shapes, which makes the characters more interesting and unique.

 

What challenges do you face as an illustrator, and how do you overcome them?

With so many works already created, it can be challenging to come up with something truly new. However, I strive to avoid repeating myself and steer clear of clichés—whether it’s in the subject matter or the forms used.

What’s your go-to source of inspiration?

I’m often surprised by the discoveries my son makes in his creative work, even though he’s more scientifically minded. I also find inspiration in contrasts—size, texture, color—and in accents. Additionally, the works of other creative people (not just illustrators) inspire me.

Who’s an artist you admire?

Kazimir Malevich, Henri Rousseau, Zebu, Braulio Amado, Geoff McFetridge.

What’s the best piece of advice you’ve ever received about art?

“You need to grow not evenly, but step by step—set a new goal with each new project.” – Victor Melamed.

What’s a common theme you return to in your art?

I really enjoy drawing hands and flowers. Even when I try to focus on nature or objects without characters, I quickly get bored—characters are far too varied and interesting.

What’s the last thing you drew or painted that made you smile?

I did some illustrations for baby packaging for Target. They were cute, smiling, chubby characters, and I couldn’t stop smiling while I was drawing them.